Performances and Individuating Musical Works
Identifieur interne : 000514 ( Main/Exploration ); précédent : 000513; suivant : 000515Performances and Individuating Musical Works
Auteurs : Roosevelt Porter [États-Unis]Source :
- The Southern Journal of Philosophy [ 0038-4283 ] ; 1996-06.
English descriptors
- Teeft :
- Acoustical, Acoustical event, Acoustical events, Acoustical performance, Acoustical performances, Allographic artworks, Altonal, Altonal structure, Appropriate tradition, Auditory event, Beethoven score, Chess, Child prodigy, Chocolate cake, Composer presupposed, Correct manner, Correct performance, Correct performances, Different reasons, Distinctive timbre, Enjoyable, Essential properties, Essential property, Essential timbre, Essential virtuosity, First point, Full access, Full appreciation, Full contact, Generic, Generic identity, Generic similarities, Generic timbre, Individual performance, Individual performances, Individual performers, Instrumentation, Levinson, Many properties, Mental performance, Mental performances, Musical dictation, Musical timbre, Musical work, Musical works, Notates, Original score, Other hand, Other instructions, Other properties, Other things, Other words, Perceptual qualities, Performance tradition, Performer, Pianistic timbre, Piano sonata, Prelude, Quintet, Roosevelt porter, Sacrificial dance, Same reasons, Score notates, Scores function, Second point, Sonic properties, Southern journal, Specific intentions, Specific timbre, Strings timbre, Timbre, Tonal structure, Tonal structures, Vienna conservatoire, Viennese tradition, Virtuosic, Virtuosity, Wolterstorff.
Url:
DOI: 10.1111/j.2041-6962.1996.tb00786.x
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000508
- to stream Istex, to step Curation: 000508
- to stream Istex, to step Checkpoint: 000406
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Le document en format XML
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type="eISSN">2041-6962</idno><imprint><biblScope unit="vol">34</biblScope><biblScope unit="issue">2</biblScope><biblScope unit="page" from="201">201</biblScope><biblScope unit="page" to="223">223</biblScope><biblScope unit="page-count">23</biblScope><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="1996-06">1996-06</date></imprint><idno type="ISSN">0038-4283</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0038-4283</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Acoustical</term><term>Acoustical event</term><term>Acoustical events</term><term>Acoustical performance</term><term>Acoustical performances</term><term>Allographic artworks</term><term>Altonal</term><term>Altonal structure</term><term>Appropriate tradition</term><term>Auditory event</term><term>Beethoven score</term><term>Chess</term><term>Child prodigy</term><term>Chocolate cake</term><term>Composer presupposed</term><term>Correct manner</term><term>Correct performance</term><term>Correct performances</term><term>Different reasons</term><term>Distinctive timbre</term><term>Enjoyable</term><term>Essential properties</term><term>Essential property</term><term>Essential timbre</term><term>Essential virtuosity</term><term>First point</term><term>Full access</term><term>Full appreciation</term><term>Full contact</term><term>Generic</term><term>Generic identity</term><term>Generic similarities</term><term>Generic timbre</term><term>Individual performance</term><term>Individual performances</term><term>Individual performers</term><term>Instrumentation</term><term>Levinson</term><term>Many properties</term><term>Mental performance</term><term>Mental performances</term><term>Musical dictation</term><term>Musical timbre</term><term>Musical work</term><term>Musical works</term><term>Notates</term><term>Original score</term><term>Other hand</term><term>Other instructions</term><term>Other properties</term><term>Other things</term><term>Other words</term><term>Perceptual qualities</term><term>Performance tradition</term><term>Performer</term><term>Pianistic timbre</term><term>Piano sonata</term><term>Prelude</term><term>Quintet</term><term>Roosevelt porter</term><term>Sacrificial dance</term><term>Same reasons</term><term>Score notates</term><term>Scores function</term><term>Second point</term><term>Sonic properties</term><term>Southern journal</term><term>Specific intentions</term><term>Specific timbre</term><term>Strings timbre</term><term>Timbre</term><term>Tonal structure</term><term>Tonal structures</term><term>Vienna conservatoire</term><term>Viennese tradition</term><term>Virtuosic</term><term>Virtuosity</term><term>Wolterstorff</term></keywords></textClass></profileDesc></teiHeader></TEI><affiliations><list><country><li>États-Unis</li></country><region><li>Kansas</li></region><settlement><li>Lawrence (Kansas)</li></settlement><orgName><li>Université du Kansas</li></orgName></list><tree><country name="États-Unis"><region name="Kansas"><name sortKey="Porter, Roosevelt" sort="Porter, Roosevelt" uniqKey="Porter R" first="Roosevelt" last="Porter">Roosevelt Porter</name></region></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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